The Seibu Ikebukuro Main Store is scheduled to undergo a grand reopening in the summer of 2025. Seibu Ikebukuro, known for always being at the forefront of trends, will introduce a new design with a wide range of products in both the women’s and men’s categories under the theme of “INCLUSION,” reflecting the diverse and flexible nature of the modern era.

The store will depart from the traditional department store format, where women’s and men’s floors are separated, to create a free, open, and unified space. This redesign will allow various customers, including friends, couples, and families, to enjoy shopping together seamlessly.

GARDE is responsible for the concept design, including both interior and exterior elements, for this complete renovation project. The entire Seibu Ikebukuro Main Store, along with each individual floor, will be designed with the architectural concept of “Maison” (“House” in French), creating spaces that embody three key elements: “class,” “sophistication,” and “art.”

For more information on the reopening, please visit the following link:
https://www.sogo-seibu.co.jp/pdf/20240610_01.pdf

Facility Overview

Name: Seibu Ikebukuro Main Store
Location: 1-28-1 Minami Ikebukuro, Toshima-ku, Tokyo
Scheduled Opening: In stages from January 2025
Sales Floor Area: Approximately 48,000 m²
Number of Stores: Approximately 380 stores planned

Upcoming Schedule

B1, B2, 3F (Basement deli section and cosmetics): Target January 2025
1F, 2F, 4F, 5F, 6F (Fragrances, jewelry, watches, and luxury items): Spring 2025
7F, 8F (Fashion, miscellaneous goods, event space, and art salon): Summer to Autumn 2025

Ogikubo is a lively area with large commercial facilities and eight shopping streets in front of the station, offering a wide variety of items from fashion to gourmet food. Located a four-minute walk from Ogikubo Station, which is directly connected to the city center by four train lines, CREVIA Ogikubo was constructed in March 2024. The development aims to accommodate a variety of lifestyles in this unique location where the bustle of the station front meets the tranquility of a residential area.

GARDE oversaw the concept design, schematic design, design development, FF&E coordination, and art coordination of the common space, focusing on the harmony between the present and the past.

Design Concept: ‘Ogikubo Modern’

Ogikubo is a town nurtured by the accumulation of history and the creation of new culture. The area around Ogikubo Station, now 130 years old, retains an atmosphere that has remained unchanged from the past while incorporating new elements according to trends, the location, and the residents. This coexistence of nostalgia and newness has shaped Ogikubo into what it is today.

Many cultural figures, such as Osamu Dazai and Akiko Yosano, moved to this area, which was once called “Kamakura in the west and Ogikubo in the east” as a vacation spot in the suburbs of Tokyo. Today, it is still known as a high-class residential area with mansions.

These two contrasting aspects—the bustling city and the tranquil mansions—are expressed in the design concept known as “Ogikubo Modern.”

Design Highlight #1: Windbreak Room

The windbreak room features a continuous floor and ceiling finish extending from the building’s approach, creating a sense of unity. Upon passing through the automatic door, wall-mounted artwork imparts a sense of class. The symmetrical design of the mail corner allows for the integration of design elements that would typically be concealed by functionality.

Design Highlight #2: Lounge Space

The common space leading from the entrance is designed as a lounge area where you can spend your time leisurely, whether talking with friends or reading a book by yourself. Stepping into the lounge area, you can enjoy the luxury of spending your time as you wish, away from the hustle and bustle of Ogikubo Station.

Among the common spaces, the towering columns immediately at the entrance are complemented by benches placed along them, blending seamlessly with the design. Additionally, incorporating the L-shaped design used in architectural gate structures creates a seamless transition, embodying both the essence of the city and the tranquility of a mansion.

The wall construction, resembling thinly cut granite arranged in rows, is designed as a unique art piece where massiveness and detail coexist. The asymmetry of the design creates a hotel-like space that is both formal and casual.

Design Highlight #3: Art

To incorporate a contrast between the city and residential elements, we proposed a metal artwork with glossy and flexible lines that complements the stone wall while providing a striking contrast. The L-shaped design motif mentioned above was used to create a series of regular shapes expressed both horizontally and vertically. These large formations symbolize the building’s organic strength and the residents’ leap toward the future.

Ogikubo has long supported people’s daily lives with its elegant townscape and abundant greenery passed down through generations, alongside a bustling shopping district and commercial area that have evolved with the times.

The common space of “CREVIA Ogikubo” reflects the town’s unique characteristics with a retro-modern atmosphere where the present and the past harmonize. We hope that residents will enjoy using this space, which offers a sense of dignity and luxury amidst nostalgia, in ways that suit their lifestyles.

Designer Profile

Anna Nishigori
Design Division, Large-scale Facility Design Department, Designer
After studying interior architecture in the UK and obtaining her MA, Anna Nishigori joined GARDE in 2017. She was involved in the concept planning, schematic design, and construction documentation for the Kyoto Candeo Hotel and a new hotel in Osaka. Utilizing the interior architecture techniques she learned in the UK, she has been involved in various projects both in Japan and overseas, with a focus on hospitality design.

Facility Overview

Name: CREVIA Ogikubo
Location: 2-4-6, Amanuma, Suginami-ku, Tokyo
Completion Date: March 2024
Owner: ITOCHU Property Development Co.
CREVIA Ogikubo official website: https://www.itochu-sumai.com/ogikubo/

Previous work by GARDE can be found at the following link:
https://garde-intl.com/top.php?lang=en#

Discovering the Added Charm of the Facility Through “Art Appreciation “

Hyatt House Tokyo Shibuya, the first entry of Hyatt’s hotel brand “Hyatt House” in Tokyo, opened its doors in February 2024 within the “Shibuya Sakura Stage,” one of the key facilities in the redevelopment project of the Shibuya Station area, often referred to as a once-in-a-century project. GARDE has been responsible for the overall planning, basic design, detailed design, design supervision, art coordination, procurement and installation, as well as the sign basic plan for the hotel, starting from the shared spaces to the guest rooms.

With a total of 125 rooms, each equipped with a kitchen, oven microwave, tableware, cutlery, and a washer-dryer, the hotel offers guests the opportunity to live as if in a residence, complemented by art inspired by the diversity of Shibuya’s streets, all within the latest facilities.

In this article, we will primarily showcase the art displayed in the common areas such as the entrance, inviting guests to experience a creative and enriching time akin to visiting an art museum.

First up is “Into Time 14 06 06” by Raphael Rosenthal, located in the entrance area on the third floor. This lenticular artwork (a sheet with a special lens processing that gives different appearances depending on the viewing angle, often creating a 3D effect) has been a series since its debut in New York in 2013. Showing changes according to the viewer’s movement, it is an ideal piece for the bustling entrance area where people come and go.

Continuing towards the elevator hall on the right-hand side, you’ll find a series of photographic artworks by Fumiko Imano, who has gained attention for her collaboration with the luxury brand “Loewe”, adorning the walls of the hallway. These artworks feature a series of photo montages where the artist herself appears as if she has a twin, created by cutting and pasting self-portraits taken with a 35mm camera. While it may be difficult to see in the image below, please enjoy her charming and fashionable artworks during your stay at the facility.

Upon arriving at the elevator hall from the entrance area on the second floor, you’ll encounter the mixed-media artwork “TRACE-SKY-Floating Clouds 08” by the sibling duo “SHIMURAbros”. This piece replicates the “sky” depicted in the movie “Floating Clouds” using Google Maps’ street view images as its source material, visualizing distortions such as power lines and seams between panoramic images. It’s captivating, so please be mindful not to miss your elevator stop while admiring it.

Upon arriving at the lobby floor on the 16th floor and descending from the elevator, you will be greeted by two pieces of Yukihiro Fujimoto’s organ works; V.-6-GREEN” and “V.-9-GREEN,” displayed side by side in the multi-functional room. On the right side, there are nine music boxes, each playing a single note, while on the left side, six music boxes, including one that plays “Wish Upon a Star,” are installed. Visitors can enjoy creating original melodies of serendipity by simultaneously winding each of the music boxes and playing them.

As you proceed towards the front side of the lobby floor, you’ll notice artwork by Dave Muller, an artist based in Los Angeles, on your left. Inspired by designs from old records owned by the artist, his works meticulously reproduce everything from price tags to labels of discontinued records, each with a unique flavor. The fact that the collection isn’t solely comprised of Japanese artists allows visitors to sense the international diversity characteristic of Shibuya.

Looking to the opposite side of Dave Muller’s work, two ceramic works by Kimiyo Mishima—a trend that is on the rise again—are placed on the front counter, as if blending into the landscape. In the foreground, Box Coca Cola Zero 22-3, a ceramic work in the shape of a Coca Cola Zero in a cardboard box, and Newspaper 20-6, a silk-screened transfer of a newspaper onto ceramic material, are elegantly and humorously natural, providing exquisite yet playful artistic entertainment perceivable to only the most discerning of guests.

Moving further in, in the interior of the main dining room, is MOSS CROSS TOKYO. The embroidered works by Mexico-based Gabriel Rico are detailed and bold, with a gentle sophistication that evokes a sense of folkloric nostalgia.

On each elevator hall of the floor where the accommodation rooms are located, a series of artworks by Fumiko Ishiba titled “2.5” is exhibited, featuring photographs of objects with lines drawn directly on their surfaces using a water-based pen. These works allow for the enjoyment of the unique presence of the objects by enclosing three-dimensional subjects with two-dimensional lines before photographing them.

While this area is not freely accessible to those other than users of the respective floor, it serves as a clever device that enhances the service with the uniqueness of art. It can be enjoyed as a recurring delight for those who use the floor multiple times and also acts as a subtle reminder of one’s floor when disembarking from the elevator.

The “2.5” series by Fumiko Ishiba also evokes fascination with its peculiar sensation between two and three dimensions, and the illusion of distance created by the advancing orange color as a background.

A personalized, culturally rich experience that transcends just staying, dining, and shopping.

The allure of Hyatt House Tokyo Shibuya lies in guests integrating with the city, becoming intertwined with its culture encompassing art, music, fashion, and more. While this article has focused primarily on art, we aim to introduce other unique attractions in the future.

■Hyatt House
https://www.hyatt.com/ja-JP/brands/hyatt-house
■Hyatt House Tokyo Shibuya
https://hyatthousetokyoshib
■Official link for GARDE
https://www.garde-intl.com/

粤海天地 (Yue Hai Tian Di), situated in the bustling Guangzhou CBD: Zhujiang New Town, amidst towering skyscrapers, is an expansive commercial complex comprising eight buildings and OutMall, enveloped by lush greenery. It stands as the newest addition to the Teemall commercial facility brand, aiming to provide visitors with a haven where they can unwind and indulge in luxurious experiences.

GARDE has taken the lead in various aspects of the project, including interior design, graphic design, concept development, design supervision, and more.

Design Goal: HARMONY

By seamlessly blending the elements of “people” and “nature,” the architectural and interior designs converge to craft a serene forest oasis within the commercial complex—a tranquil space where visitors can unwind and rejuvenate in utmost comfort.

Design Concept: NATURE

The architectural design draws inspiration from the iconic Ayers Rock, renowned for its colossal monolithic structure. Embracing the essence of nature, the design concept revolves around the three elemental forces of “earth, wood, and water.” These elements infuse the rest areas, enveloping customers in a natural ambiance as they partake in shopping and leisure pursuits, providing a serene retreat amidst the bustling commercial environment.

Each of the shapes, rhythms, and diversity of the design elements are composed to express various landscapes and scenes of nature, bringing vitality and diversity to a quiet and sophisticated commercial facility.

Designer’s Message

Through the seamless integration of architectural and interior design elements, we have curated a dynamic and aesthetically pleasing environment that embodies a cohesive facility. Our aim is for visitors to encounter the striking presence of the rock-inspired exterior design, evoking a sense of awe-inspiring volume. Furthermore, with the addition of captivating lighting effects during nighttime, we enhance the spatial presentation, offering visitors an even more immersive and creatively enriched experience.

Designer’s Profile

Yu Ohata
Design Division, Design Department, Chief Designer

With extensive experience in designing and overseeing large-scale commercial projects in China, he has made significant contributions to the field. Having transitioned to the Hong Kong office and the Asia Pacific Division, he has played a pivotal role in diverse projects spanning conceptual design to supervision. Notable endeavors include the renovation of the Grand Shopping Center in Harbin, China, the environmental design of PARKSON Department Store in Malaysia, and food and beverage design initiatives. His expertise and dedication continue to shape innovative and impactful design solutions across various regions.

Facility Information

Project Name: 粤海天地 (Yue Hai Tian Di)
Project owner: Guangdong Yuehai Land Holdings Limited.
Owner Design Management Team:杨冰、李文丹、黄骏豪、梁炜麟
Project Location: No.21 Zhujiang West Road, Tianhe District, Guangzhou, China
Design area (commercial): 30,000㎡

You can also find more information about GARDE’s past projects here.

“Shukubo” is a place where visitors can experience traditional Japanese culture while staying at a temple or shrine. In this article, we will explore the attraction of shukubo.

Origin of Shukubo

The history of shukubo dates back to the Heian period (794-1180). It is said that shukubo originated as lodging facilities for aristocrats who made pilgrimages to temples and shrines. Later, through the passage of time from the Kamakura period to the Edo period (1180-1868), they evolved from accommodations for priests and pilgrims to a familiar pastime for the general public. Nowadays, shukubo is not only a place for local people but has also become a popular facility for foreign tourists to experience different cultures.

Highlights of Shukubo

Shukubo is different from ordinary lodging facilities. The attraction of a shukubo lies in the opportunity to engage in extraordinary cultural experiences, such as Buddhist services, ascetic practices, and Buddhist vegetarian cuisine.

Although the content varies from facility to facility, the following are some examples of experiences offered at a shukubo:

  • Otsutome: A ceremony in which a priest reads sutras to pray for ancestral offerings and family safety.
  • Meditation: Calming the mind and regulating breathing to create a state of relaxation.
  • Zazen: A state of mental unification achieved by sitting in an upright posture.
  • Shakyo: Copying sutras. It is important to carefully copy the sutras one by one.
  • Shabutsu: Copying a sketch of a Buddhist image.
  • Waterfall training: A practice to train the body and mind by exposing the whole body to the waterfall’s current.
  • Buddhist vegetarian cuisine: A vegetarian diet based on Buddhist teachings that does not contain meat or fish.

These experiences are not only extraordinary and special but also have a positive effect on the mind and body. Shakyo and shabutsu increase the power of concentration, while meditation and zazen can help calm the mind by reducing stress and anxiety. Buddhist vegetarian cuisine, which is gaining attention worldwide, is known for its vegetable-oriented dishes offering an abundance of nutritious and well-balanced options.

A One-of-a-Kind Space Created by History

The oldest temple in Japan is said to be 1,400 years old. Once constructed, temples and shrines, which are traditional Japanese architecture, can remain in existence for 500 years and are cherished as historical architecture that takes root in the local community. This long history nurtures and creates the unique charm of the temple.

Through shukubo, some temples offer visitors special opportunities to see and experience important cultural properties that are not usually available for public viewing. The experience of eating and sleeping amidst history, architecture, and art at close quarters is an opportunity to sharpen the senses and face oneself.

In Conclusion

Shukubo is a place to heal the body and soul in a quiet space away from the hustle and bustle of daily life. The best part of a shukubo is the opportunity to experience ascetic practices, learn about Japanese culture such as Buddhist vegetarian cuisine, or simply relax and feel the flow of time in the natural surroundings.

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